Tamara de Lempicka – The Musician (1929)

Description

This work of art has been digitally enhanced without erasing signs of ageing for the sake of authenticity. Digital paintings are very popular right now as an affordable and stylish way to decorate and personalize your home and office.

Tamara de Lempicka – The Musician (1929)

“This painting was created by Lempicka in 1929 in Paris. In 2009, it was stolen from the Scheringa Museum of Realist Art in Spanbroek and went missing for seven years. In 2017, the artwork was recovered by Dutch art crime investigator Artur Brand alongside a stolen piece by Salvador Dalí.The painting is also notable in that it was featured in Madonna’s music video to her 1990 song Vogue.

The female figure in the painting draws comparisons to classical muses or Renaissance sibyls and can be interpreted as an allegrical representation of the art of music, which is a traditional theme in art. However, the artist decided to portray the woman in a very modern manner: she has a chic flapper hairstyle, and her figure is presented against an urban landscape. This juxtaposition of old and new is a characteristic feature of many of her works. The skyscrapers visible in the background demonstrate “a maturation in Lempicka’s style, as they represent her exposure to the new technological marvels of America”.

After purchase you will have access to a PDF document with a link to these files available for download: 4×7”, 6×10”, 7×12”, 9×14”, 12×20″, 15×24″, 22×36″ and A1.

All files are in JPG format and at 300 PPI/DPI resolution. Please note that colours on your screen may be slightly different from the actual print.

This is not a physical item therefore nothing will be shipped to you.

You can download the PDF file at checkout after the payment clears.

Since these are printable downloads, refunds cannot be issued. Should you have any issues or questions please contact us and we will be happy to assist you.

For personal use only. Please do not use our digital art files for commercial use or resale.

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